Ohmforce ALL FX Bundle 2009 For PC & MAC

Ohmforce ALL FX Bundle 2009 | Mac+Win| 132+34 MB

RELEASE by Team AiR

ApulSoft apEQ VST AU v1.4.0 MAC OSX

ApulSoft apEQ VST AU v1.4.0 MAC OSX UB-Air (KG) |  3.1 MB

High precision equalizer/analyzer. Create and edit filters on top of a high resolution analyzer display. No compromise quality: 64 bits with oversampling.

BarbaBatch v4.0.58 MAC OSX UB

Audioease BarbaBatch v4.0.58 MAC OSX UB | 17 MB

BarbaBatch is a professional batch sound file conversion application for Mac OS X.

Compassion v1.06 MAC OSX

AU VST RTAS MAC OSX UB | DYNAMiCS | 02/05/2012 | 14.71 MB

Here is another pretty helpful Tool for dynamic processing released by DINAMICS…

Description: Compassion is a fully-featured dynamics processor, ready for any dynamic processing on any signal…

EQuality AU VST RTAS UB v1.17 MAC OSX

DYNAMiCS | 2.05.2012 | 11.3 MB

EQuality sounds as good as an EQ can sound. By that, I mean the prototypes are as close to the consistent analogue shapes as can be achieved digitally, without spending extra CPU. When you want to spend extra CPU to close the deal, you can do that too, but so far not many people have reported finding occasions where the difference is perceptible.”

ToneBoosters All Plugins VST v2.6.1 MAC OSX

15 April 2012 | ASSiGN Keys | 19 MB

TB Equalizer, TB Isone, TB HumRemover, TB DeEsser, TB Ferox, TB EZCompressor, TB Gate, TB Reverb, TB XYTool, TB Compressor.

Limiter6! (Public Alpha Version)

By Vladislav Goncharov

Vladislav Goncharov (developer of the outstanding Molot compressor) has released a public alpha version of Limiter6, an upcoming freeware limiter VST/AU plugin for Windows and Mac.

I’m glad to introduce public alpha version of new limiter plugin (codename “Limiter6″)! This plugin is unique combination of slow RMS-compressor, peak limiter, high-frequency limiter, oversampled clipper and inter-sample limiter. The idea of this combination is “gain staging” when each stage used a little to make a most clean sound.

This is not a plugin with 1 knob and smart brain inside, which allow making your mix 0 dB RMS. All settings are manual and there’re a lot of knobs. The GUI is a draft yet and will be redrawn to photorealistic military style.

IK Multimedia Amplitube v3.7.1 MAC OSX

ASSiGN | 11.3.2012 | 284 MB

AmpliTube 3. The New King of Tone. More Gear. More Feel. More Power. More Tone. There’s a new king in tone, and its name is AmpliTube 3. A massive upgrade of the leading guitar and bass tone gear modeling software, AmpliTube 3 raises the industry standard of sound variety, realism and creative power. If your recording or playing “rig” is lacking in that rich, lush expressive analog warmth, then you need to check it out. With over 160 precisely modeled pieces of vintage and modern gear available in one package, AmpliTube 3 is the ultimate tone gear collection for the player/producer/engineer suffering from tone angst.

Audio Damage 914 Fixed Filter Bank v1.1.0

ASSiGN | 7.3.2012 | WiN: 9.46 MB | OSX: 5.39 MB

The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.

Linplug CronoX 3.6.5 MAC OSX

Team ASSiGN | 03 MARCH 2012 | 17.7 MB

CronoX mixes up your samples in realtime like no other instrument. If you start with a kick sample you may end up with getting a fascinating pad from it, and you should not be astonished to get some punchy drums just from your vocal samples. Its CronoX, samples are only food for its versatile and unique engines.

Voxengo GlissEQ v3.5.2 PC & MAC

3.3.2012 | WiN x86/x64: 8.05 MB | OSX: 28.2 MB

GlissEQ is a powerful parametric dynamic equalizer plug-in. The most interesting and unique feature GlissEQ offers is its filters with dynamic behavior. When using a normal equalizer you always get what you have set: if you specify a 6 dB boost at 100 Hz you get exactly a 6 dB boost at 100 Hz – GlissEQ offers you a slightly different approach: when you specify +6 dB at 100 Hz, you don’t necessarily get 6 dB of gain, the filter’s effective gain is adjusted dynamically according to the sound material you are filtering.