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  • ArtsAcoustic Bigrock 1.0.7 WiN OSX-AiR
    febrero 26, 2012 | Sin Comentarios Comments

    ArtsAcoustic Bigrock 1.0.7 WiN OSX

    ArtsAcoustic Bigrock 1.0.7 WiN OSX

    ArtsAcoustic Bigrock 1.0.7 WiN OSX | 34.5 MB

    ArtsAcoustic BigRock is an authentic, accurately modeled emulation of the legendary Electro-Harmonix Small Stone, a phase shifting stomp box, of which its first revision was released in 1974. however, being in 2010, we´ve of course overcome most of the limitations of the original and equipped the BigRock with the necessary features in an special advanced mode.


  • ArtsAcoustic CL Series 1.0.19 WiN OSX-AiR
    febrero 26, 2012 | Sin Comentarios Comments

    ArtsAcoustic CL Series 1.0.19 WiN OSX-AiR

    ArtsAcoustic CL Series 1.0.19

    ArtsAcoustic CL Series 1.0.19 WiN OSX | 113 MB

    ArtsAcoustic CL Series is a bundle of 3 accurateley analog-modelled photoelectronic dynamic processors, nameley CL-1, CLMS-1 and CLMS-1 XL. they`re based on various analog optoelectronic diode tube compressor schematas used during the late 70`s up to the mid 80`s.


  • ArtsAcoustic Reverb VST AU v1.2.2 MAC OSX UB
    mayo 29, 2011 | Sin Comentarios Comments

    ArtsAcoustic Reverb VST AU v1.2.2 MAC OSX UB

    ArtsAcoustic Reverb VST AU v1.2.2 MAC OSX UB

    Team: ArCADE | Date: 03/2007 | 4.02 MB

    The ArtsAcoustic Reverb is a high quality reverb for everyday use in a professional studio. This plugin is (unlike the current trend) a highly advanced, but easy to use algorithmic reverb, so no convolution is involved.


  • ArtsAcoustic Reverb VST 1.5.0.5 WORKING
    noviembre 20, 2009 | 2 Comentarios2 comentarios Comments

    ArtsAcoustic Reverb VST 1.5.0.5 WORKING

    ArtsAcoustic Reverb VST 1.5.0.5 WORKING

    ArtsAcoustic Reverb VST 1.5.0.5 WORKING| 5.07 MB

    ArtsAcoustic Reverb is a high quality reverb for everyday use in a professional studio. this plugin is (unlike the current trend) a highly advanced, but easy to use algorithmic reverb, so no convolution is involved. Why no convolution?, several issues made us believe that there is a need for algorithmic reverbs, such as having full control not only over a few, but all important parameters which are needed to design a room to perfect results. So what was the aim?, next to the sound of a good reverb, wich was our highest priority of course, it is mostly very important to edit the room/reverb to suit into the given situation. even the smoothest reverb tail is not much of use if it doesn´t fit into the mix. every master has different requests, so the reverb has to give the user the possibility to always do a certain function in the mix.based on our experience this is not too often the case with reverb units whether it´s hard- or software, unless you want to spend a lot of money – of course exceptions tighten the rule.


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