D16 Group Plugins Pack 1.3.2012

UNION | OSX: 149 MB | WiN: 115 MB

Bundle of plugins by D16 Group.

D16 Group Audio Software Total Bundle VST VSTi 2010-ASSiGN

D16 Group Audio Software Total Bundle VST VSTi 2010-ASSiGN | 53 MB

12 JANUARY 2011 | TEAM ASSiGN | BUNDLE

Plugins included: Phoscyon v1.8.0 – Bass Line, Drumazon v1.4.4 – Drum Machine, Nepheton v1.4.5 – Drum Machine, Nithonat v1.4.4 – Drum Machine, Devastor v1.2.0 – Multiband Distortion Unit, Fazortan v1.2.0 – Controllable Space Phaser, Decimort v1.2.0 – High Quality Bit Crasher, Redoptor v1.2.0 – Vintage Tube Distortion, Toraverb v1.2.1 – Space Modulated Reverb, Syntorus v1.0.0 – Double Path Analog Chorus.

D16 Group Decimort 1.2.0 VST AU MAC OSX UB

D16 Group Decimort 1.2.0 VST AU MAC OSX UB | 12.2 MB

Decimort is a high quality bit crusher. Electronic music producers (especially in Hip-Hop) have always been aware that classic samplers (such as early Akai and E-MU units) had a character and sound of their own. They added a “grit” and “colour” to the samples and loops they played back which made them sound “Fat” and sit well in a mix. This sound colouration was due to the encoding techniques, lower sample rates, lower bit rate and conversion circuits which these early samplers used. Decimort recreates this colouration and adds the vintage sampler magic to any loop, bass line or sound played through it. It also acts as the perfect bit crusher with filter.

D16 Group Devastor 1.2.0

VST AU MAC OSX UB

D16 Group Devastor 1.2.0 VST AU MAC OSX UB | 13.7 MB

D16 proudly presents our first Fx Plugin from our “SilverLine Collection” – Devastor. Devastor is a simple but remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit from our synth Phoscyon. Being multiband, the sonic mangling capabilities are endless!. Devastor consists of three blocks: dynamic-gain module, diode-clipper distortion and three filter sections. Each of the filters can process the signal before or after the diode-clipper. The filters are not the peaking EQ type which are used in classic multiband distortion They are like those found in analog synthesizers (low pass, high pass, band pass and band reject) – with adjustable resonance and cutoff. As a result, Devastor has a completely unique sound – just check out the Factory Presets.

D16 Group Syntorus VST 1.0

D16 Group Syntorus VST 1.0 | 4.20 MB

There are many different chorus effect plugins available on the market today. However, finding one which gives the classic analogue chorus sound is easier said than done. Even on expensive units with advanced parameter controls, getting that vintage chorus timbre can be a challenge. With this in mind, D16 set out to create a plugin which would have a rich analogue chorus similar to the effect found on classic synthesisers like the Solina, Synthex or Juno. This new effect is called Syntorus and is the latest addition to the Silver Line of plugins.

D16 Group Syntorus 1.0.0 VST AU MAC OSX UB

D16 Group Syntorus 1.0.0 VST AU MAC OSX UB | 15 MB

There are many different chorus effect plugins available on the market today. However, finding one which gives the classic analogue chorus sound is easier said than done. Even on expensive units with advanced parameter controls, getting that vintage chorus timbre can be a challenge. With this in mind, D16 set out to create a plugin which would have a rich analogue chorus similar to the effect found on classic synthesisers like the Solina, Synthex or Juno. This new effect is called Syntorus and is the latest addition to the Silver Line of plugins.

D16 Group Fazorton 1.2.0 VST AU MAC OSX UB

D16 Group Fazorton 1.2.0 VST AU MAC OSX UB | 9.5 MB

Fazortan; the controlable space phaser has become another effect to offer as being a part of our ‘SilverLine Collection’. No need to say we didnt cut much corners on quality and that robust, yearned by all – analog feel of the sound. Total control of the Phase shift parameter provides you with adjustability and allows to obtain the desired contour with high precision. Have you ever wondered where does that unique magical breeze so audible in most of Jean Michael Jarre’s tunes come from. Suprisingly the backbone here isn’t the synth itself but the effect unit coupled with the synthesizer, saying more precisely – analog phaser of which our Fazortan seems to be a fine equivalent. Thanks to the analog modelling technique we were able to implement allpass filters comprising characteristics identical to its analog counterpart based on Operational Transconductance Amplifiers.

D16 Group Redoptor 1.2.0 VST AU (MAC OSX UB)

D16 Group Redoptor 1.2.0 VST AU (MAC OSX UB) |

Redoptor is a high quality Vintage Tube Distortion emulator. The popularity of tube distortion units are as a result of their superiority over the solid-state fuzz distortions which are based on transistor clipper circuits. Tubes produce even and odd harmonics and naturally compress the signal. Transistors produce only odd harmonics and limit the sound.

D16 Group Toraverb 1.2.1 VST AU MAC OSX UB

D16 Group Toraverb 1.2.1 VST AU MAC OSX UB | 14.5 MB

Description:
When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any “off-the-shelf” algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb.

Our goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many different ways by the user.

D16 Group Toraverb VST 1.2.0

D16 Group Toraverb VST 1.2.0 | 8,80 MB

Description:
When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any “off-the-shelf” algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb.

Our goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many different ways by the user.