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  • Genuine Soundware GS-201 Tape Echo 1.1.3 VST
    octubre 6, 2011 | Sin Comentarios Comments

    SoundFonts GS-201 Tape Echo v1.0 VST (PC)

    SoundFonts GS-201 Tape Echo v1.0 VST (PC)

    AiR | 2009 | GS-201 Tape Echo 1.1.3 VST | 2,64 MB

    Tape echo effects were invented towards the end of the fifties. Presumably the very first tape echo machine was invented by Charlie Watkins of London, England, in 1958. It was based on a small loop of 1/4 tape onto hich audio was recorded by a magnetic head and then read by three separated heads. What was read from the tape was amplified by the internal all-valve circuit and eventually recorded back to the tape, creating the eedback or sustaining echo effect. The delay time of the unit was determined by distance of the write head from the read heads, in conjunction with the sd of the tape.


  • GSi VB3 VST VSTi 1.3
    marzo 19, 2010 | 1 Comentario1 comentario Comments

    Foto Servida GRATIS/FREE por BioPiXMOD®

    GSi VB3 VST VSTi 1.3

    GSi VB3 VST VSTi 1.3 | 6.59 MB

    VB3 is a virtual tonewheel organ which simulates an american electromagnetic organ of the old days, but it’s also capable of other simulations like the italian transistor organs of the seventies or the red-tolex organs played by famous pop bands of the sixties.


  • GSi Shake Pad VST 1.1
    marzo 2, 2010 | Sin Comentarios Comments

    GSi Shake Pad VST 1.1

    GSi Shake Pad VST 1.1

    GSi Shake Pad VST 1.1 | 3.82 MB

    ShakePad is a virtual multi-effect unit intended for real time sound manipulation via an X/Y pad. It includes 50 different high quality effect algorithms with full stereo operation.


  • Genuine Soundware ShakePad VST v1.0
    julio 22, 2009 | Sin Comentarios Comments

    Genuine Soundware ShakePad VST v1.0

    Genuine Soundware ShakePad VST v1.0

    Genuine Soundware ShakePad VST v1.0 | 2 MB

    ShakePad is a multi-effect plug-in intended for real time sound manipulation via an X/Y pad. It includes 50 different high quality effect algorithms with full stereo operation.

    Hello Folks! I’ve been quite busy for a long while, but here I am again with a little funny virtual effect that many of you may appreciate. It’s based on a X-Y pad that you can handle with your mouse or from an external controller. It’s mostly intended for DJ’s and for those who want to have fun with their music by adding some real-time manipulation, but it’s also nice to use for keyboards and other single instrument tracks. ShakePad is currently under public beta testing (have a look at the KvR forums) and will hopefully be available before the end of July. Registration fee will be just 29 euros with an initial introductory offer.


  • Genuine Soundware Spring Reverb Type4 VST v1.01
    abril 17, 2009 | 1 Comentario1 comentario Comments

    Genuine Soundware Spring Reverb Type4 VST v1.01

    Genuine Soundware Spring Reverb Type4 VST v1.01

    Genuine Soundware Spring Reverb Type4 VST v1.01

    Win App | 1.8MB | RS.COM
    A spring reverb is a system to obtain artificial reverberation invented during the 40′s by Laurens Hammond

    (also inventor of the Hammond Organ).

    In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.


  • Genuine Soundware VST And VSTi Pack
    abril 16, 2009 | Sin Comentarios Comments

    Genuine Soundware VST And VSTi Pack

    Genuine Soundware VST And VSTi Pack

    Genuine Soundware VST And VSTi Pack | 352 MB

    Genuine.Soundware.VB3.The.Ultimate.Virtual.Tonewheel.Organ.VSTi.v1.22.Incl.Keygen-AiR
    Genuine.Soundware.Spring.Reverb.Type4.VST.v1.01.Incl.Keygen-AiR
    Genuine.Soundware.MrRay73.Mark.II.VSTi.v2.0.3.Incl.Keygen-AiR
    Genuine.Soundware.KeyPerformer.VSTi.v1.0.Incl.Keygen-AiR
    Genuine.Soundware.GS-201.Tape.Echo.VST.v1.1.3.Incl.Keygen-AiR
    Genuine.Soundware.Electric.Grand.EG70.VSTi.v1.0.Incl.Keygen-AiR
    Genuine.Soundware.Die.Funky.Maschine.ZD6.VSTi.v1.1.Incl.Keygen-AiR


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