
All Stillwell and SCHWA Plug-Ins
Plug-Ins AU/VST – MAC iNTEL | 143 MB
new version with latest installers and updated…

new version with latest installers and updated…
Bombardier is our most ambitious project to date – a premium quality buss compressor, tailored for smooth and musical processing of complex audio such as drum groups, vocal stems and your full stereo mix, lending a controllable sense of weight, fluidity and cohesion. Bombardier gives a nod to the non-linear and frequency-variant subtleties of a wide range of Grade-A hardware buss compressors, and should you wish these can be pushed almost into the realms of a character compressor.
ASSiGN REPACK NOTE: Our previous release would install to wrong directory. This version works fine.
The Rocket is a character audio compressor, singular in its extraordinary speed, responding in mere microseconds to variations in program level. Being in the order of several thousand times faster than most ordinary compressors, we respectfully submit that The Rocket kicks like a mf. Violation of the laws of physics and digital signal processing remain beyond us at this time, and a single sample at 44.1kHz has a span of 22.6 microseconds. The Rocket’s attack time can be below this level, for absolute certainty that even the very first sample understands that you are its master. Placed on the master bus, The Rocket will effortlessly tame transients almost in the manner of a brickwall limiter. Discussions of Science and Art are played out within The Rocket ‘s “Impetus” circuits, where warmth and aggression exist as DSP, able to take the delicate, musical gain reduction to the extremes of dirty, heavy and slamming rock’n'roll misbehaviour. Aw hell, The Rocket can rock so crank it up!
This pack include: 1973 VST 2.0, Bad Buss Mojo VST 2.0, Bombardier VST 2.0, Event Horizon VST 2.0, Major Tom VST 2.0, The Rocket VST 2.0, Transient Monster VST 2.0, Verbiage VST 2.0, Audio Vibe-EQ VST 2.0.

TinMan is an auto-peaking resonant filter with multiple pitch
detection and individually triggered attack/decay envelopes. In other
words, it listens to your audio and makes matching spooky
wooo-eeee-oooo effects.

Schwa has released a new plug-in: CMX Stereo Microshifter, along with Windows x64 installers for Olga, Tin Man, Schope and Bitter. CMXCMX – Stereo Microshifter thickens and enhances monophonic audio by doubling the signal and applying small amounts of pitch shift and/or time delay to each side. This technique is often applied to vocals or lead lines. With a light hand, CMX can add just enough fullness to give a part extra presence in a mix. With a heavier hand, CMX can create a rich and polished “expensive production” sound. The added presence is especially effective in musical styles that make minimal use of reverb. CMX uses a new, unique pitch identification and shifting algorithm from Schwa that is designed and optimized for small, precise pitch shifts, from one cent to a quarter-tone, with perfect phase coherence and maximum smoothness. You can use CMX on exposed, high-quality vocal tracks with complete confidence.


