WORKiNG NOTE: Fixed – VTAPE Delay VST2; One dongle cyclic calling was not patched.
VTape – The Analog Tape Suite is a set of three plug-ins based on a thorough simulation of the famous sound of analog tape machines.
VirSyn.VTAPE.v2.0.0.x86.x64.HAPPY.NEW.YEAR-ASSiGN
VirSyn.TDESIGN.v1.1.0.x86.x64.HAPPY.NEW.YEAR-ASSiGN
VirSyn.REFLECT.v2.5.0.x86.x64.HAPPY.NEW.YEAR-ASSiGN
VirSyn.PRISM.v1.5.0.x86.x64.HAPPY.NEW.YEAR-ASSiGN
VirSyn.MATRIX.v2.1.0.x86.x64.HAPPY.NEW.YEAR-ASSiGN
VirSyn.FDELAY.v1.1.0.x86.x64.HAPPY.NEW.YEAR-ASSiGN
VirSyn.BARK.v1.5.0.x86.x64.HAPPY.NEW.YEAR-ASSiGN
The idea behind the Transient Former TDESIGN is to give the user direct control over the attack and sustain characteristics of natural sounds, and though this sounds less than revolutionary, you only have to play with the unit for a few minutes to realise that the Transient Former is a very powerful creative tool. For example, you can take a recording of an unremarkable drum kit and dial in some really hard-hitting attack or take a very percussive sound and soften the attack.
RealIR Reverb Engine Version 2.0 of REFLECT comes with a new RealIR Engine using direct convolution of the critical early reflections without compromising the flexibility of the algorithmic reverb tail generation. The resulting density and smoothness rivals those of the most expensive hardware reverbs. Back to the future REFLECT is an algorithmic reverberation plugin which combines the flexibility of vintage algorithmic reverbs with the sonic quality of convolution based reverbs. The creation of high quality reverb needs a realistic simulation of the important early reflections together with a smooth and colorless reverberation tail.[FixLink]
VTape – The Analog Tape Suite is a set of three plug-ins based on a thorough simulation of the famous sound of analog tape machines. 1. VTape Saturator simulates the recording and playback of an analog tape mastering machine. 2. VTape Delay combines this sound with a modern, step sequencer-like tapped delay engine which leads the tradition of the tape echo machines into the 21st century. 3. VTape Flanger simulates the legendary “Tape flanging” effect which can be achieved through the playback of two tape machines running at slightly different speed.[RePost]
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Spectral morphing resynthesizer. CUBE is a groundbreaking new software instrument giving you the power and flexibility of additive synthesis together with easy editing and morphing capabilities. Macro parameters allow you to control this beast with unequalled ease.
The Vocoder was invented by Homer Dudley in the mid-30′s of the last century. Dudley worked at Bell Laboratories, and this is where the first Vocoder took shape. The basic function of a Vocoder is characterized by an analysis of the input signal, usually speech but other type of inputs can also be very interesting. In a special filter bank, a spectral analysis is performed and signals are developed which follows the amount of spectral energy in each channel. Another part of the analyzer tests if there are unvoiced or voiced sounds at any particular time and extracts the pitch of the voiced sounds. The output section of the vocoder consists of a stereophonic synthesis filter bank which assembles the new synthetic speech from the characteristic filter envelopes from the analysis stage together with an external or internal replacement signal.[RePost]
The Vocal Designer. Pump up your voice!. The heart of the vocal designer plugin KLON is a harmonic pitch shifter for natural pitch and formant manipulation of vocal sounds in realtime.[RePost]
KLON – The Vocal Designer
The multiband filter BARK takes the approach to match the reception characteristic of the final destination of all sound: the ear. The ear behaves as if it contains a bank of filters, each filter passing frequencies within the critical band. Two tones separated by more than a critical bandwidth are received by the ear independently. For this reason BARK contains a filter bank with 27 bandpass filters matching the critical bandwidth. In fact, the human ear have also its own built in compression system which are based on the critical bands. Consequently BARK incorporates an independent compression algorithm for each of it’s 27 bands.
For all creatures in the ocean of sound – Sonic textures from other worlds, Analog signature sounds, Cut-through-the-mix leads and silkily smooth pads: POSEIDON sets a new standard for sounds and ease of use. All of this was made possible through a combination of the familiar, conceptual simplicity of the analog synthesis and our new, F-Domain synthesis technology.
The multi-band pitch shifter PRISM takes a fresh approach to solve the problem of shifting the pitch of complex sound sources in realtime. Traditional frequency shifting shifts all frequencies in an input up by the same amount and thereby alters their harmonic relation and tends to produce inharmonic results. But it’s perfect in dealing with transients. Pitch shifting on the other side sounds “right”, but the transients go mad and the sound gets metallic and grainy especially on high down shiftings.
Tags: Prism, RTAS, v1.1.0, VirSyn, VirSyn Prism VST RTAS v1.1.0, VST
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