Drums Overkill HYBRiD

TEAM DYNAMiCS | 23 February 2007 | 2.07 GB

VSTi, DXi, RTAS, AU/WiN/MAC

More than 27000 various DRUM & PERCUSSION sounds: 10000 samples assigned to 1200 drum kits for all musical styles, 5400 original drum machine samples, 3800 bass drums, 4100 snare drums & rim shots, 750 claps & snaps, 480 toms, 1600 hi-hats, 300 cymbals, 670 analogue synth drums & electronic percussion, 340 mixed special effects, 1500 percussion instruments from “around the world”.

Beats Working in Cuba VSTi

Team AI/CoBaLT | 05 August 2005 | DiSK1: 4.46 GB | DiSK2: 4.23 GB

This is the ultimate Cuban percussion virtual instrument. BEATS WORKING 5.1-ready drum sample library recorded at Abbey Road Studios, London) are proud to present the first complete and utterly authentic library of Latin percussion performances recorded entirely in Havana, Cuba, featuring the country’s very finest players, and presented in multitrack format to provide the user with complete flexibility in both tempo and the selection of instruments.

The Elements Expand KONTAKT

TEAM DYNAMiCS | 28 March 2008 | 4 DVD | 14 GB

FORMAT….: VSTi/DXi/RTAS/AU/HYBRiD

Here is release from DYNAMiCS + The Elements EXPansion

The Elements EXP is a collection that aims to transform your work, pushing the envelope beyond today’s standard of music and sound design. Since the instruments are broken up into 6 intuitive elements, you won’t waste any time browsing through unneeded sounds. These instruments were crafted to excite, inspire, and electrify. The library is packed with deadly, ear scraping ambiance to serene melodic choirs; glitched out distorted beats to funky harmonic guitar licks; woofed out basses to spine bending transitional impacts; traditional brass ensembles to psychedelic spirals of exotic colors. And with a bunch of extra sounds made from unicorns, hobbits, and dragons, this library is sure to be fun for the whole family. The Elements is a 14 GB direct download library containing over 2000 instruments, tempo-synced loops, and multis. It is available for Mac OS X and Windows in Audio Unit, VST, DXi, RTAS and stand-alone formats via Kontakt Player. The library can also be loaded and customized in the full version of Kontakt.

E.O.P WiN MAC

TEAM AiRISO | 06/2009 | D1: 4.06GB | D2: 7.88GB | D3: 7.88GB

Elite Orchestral Percussion features a number of cutting-edge techniques to maximize and enhance the playability of the library, including a randomization engine which utilizes a variety of advanced techniques to maximize realism. A full performance view is available in all instruments, enabling instant triggering and programming of various common percussion articulations such as flams, 3-stroke ruffs, chokes, rolls, and realistic rhythmic pattern generators.

Destructor v1.62 WiN MAC

Team R2R | 12 September 2024 | WiN: 32.8MB | OSX: 129.3MB

..: AU, AAX, RTAS, VST3, VST, x86, x64 :..

Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.

VisLM v2.xx WiN MAC

Team R2R | 09 September 2024| WiN: 8.9 MB | OSX: 80 MB

WiN64: VST/VST3/RTAS/AAX | MAC: AU/VST/VST3/RTAS/AAX

The most fundamental question in audio production, how loud is it? Simple and yet elusive, with loudness inconsistency and incompatibilities present every day in broadcasts across the world. With detailed, objective loudness measurement, history and logging facilities, VisLM provides a simple, ITU, ATSC and EBU standard compliant* way to measure, compare and contrast loudness during production, broadcast and post production, on the fly or for entire sections of audio.

ISL 2 v2.x.x.x WiN MAC

TEAM R2R | 09.09.2024 | WiN: 6 MB | OSX: 50.7 MB

..: AU, VST, VST3, RTAS, AAX :..

Real Time True Peak Limiter

World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards. No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.