MOOR v1.0 for Ableton Live v9.7.3 ALP
SYNTHiC4TE | Nov 12 2017 | 1.2 MB
Max For Live MIDI effect designed to generate and manipulate mono MIDI sequences with innovative features
Viewed 3830 By Music Producers & DJ´s.
Max For Live MIDI effect designed to generate and manipulate mono MIDI sequences with innovative features
Get deep with the multi-functional LFO, create a sequence of randomized preset states, or modulate parameters using an audio signal – this set of envelope followers and other device controllers can reinvent how you use your instruments and effects, and take your modulations to the molecular level.
The versatility of a semi-modular interface to the world of analog-modelling synthesis. Built around a flexible virtual patchbay, Pallas gives users immense control over a wide range of bold and unique sounds. Pallas is a Max for Live device that has been specifically designed to model all the grit, character, and charm of authentic analog sounds. Featuring eight-voice polyphony, Pallas is powered by three versatile oscillators. The device’s main two oscillators allow users to mix up to four waveforms (sine, triangle, square, and sawtooth, and an additional noise generator), while the third oscillator is a wavetable-based signal generator that can also be used as an additional LFO for modulation purposes.
Ryoji, Ryoji is an experimental plugin that makes anything sound like Ryoji Ikeda’s glitch music. Don’t be fooled by the experimental mood: if you’re looking for high-quality and uncommon results in no time, Ryoji is the perfect fit for you, no matter the music genre.
Random Riff Generator PRO is an advanced melody, riff & sequence generator midi tool for Max For Live.
Repitch and reshape anything in Ableton Live. PitchSwitch is an inspiring device that creatively reshapes incoming audio. Whether you are a studio-based sound designer or a touring live performer, PitchSwitch transforms your sounds in unexpected, yet consistently musical ways.
Polyphylla is a new Max For Live instrument that makes additive synthesis accessible and fun. Aimed at electronic music producers as well as experimental composers, music educators and production novices, you’ll master it in minutes but make amazing sounds with it for years to come. Boiling a complex under-the-hood architecture down to a concise set of around 50 editable parameters, organised in a clean, clear interface, Polyphylla prioritises approachability and ease of use, without sacrificing depth or quality of results. At the heart of the synth is a flexible 120-partial additive oscillator coupled to an analogue-style noise generator, each with its own multimode filter. The oscillator offers three methods by which to generate and edit a base harmonic spectrum: simple analogue waveform emulation, knob-driven stochastic microtuning, and detailed graphical control of 32 partial groups. The noise generator, meanwhile, can be overdriven for extra grit.