RYM2612 v1.0.6 FM Synthesizer

FANTASTiC | 02 October 2024 | 94 MB

..:: AU, VSTi, VST3, AAX, x64, x86 ::..

RYM2612 is a software FM synthesizer in VST, Audio Unit, AAX and Rack Extension formats. It’s an emulation of the Yamaha YM2612 sound chip, best known for being the vibrant voice of the Sega Genesis/Megadrive videogame console. More than a simple sound-alike, the emulation is cycle-accurate to the original chip, that allows reproducing every unique possibility of the synth. On top of this, the amp circuitry of the console has been reproduced too, in order to obtain the same grain you’d get if you plugged the real hardware into your DAW.

Swazher Generator v1.0.0 WiN

Team R2R | 13 March 2016 | 3.4 MB

The overtone exciter. Highlight natural sound presence and add harmonics produced by overfeeding. Take control of the fundamental frequency of the voice or instrument. The natural overtone exciter that really makes the difference. The first process extracts the smallest sound objects, which characterize the sound itself, and then adds them together to create natural harmonics. The Presence setting controls the amount of harmonics that are generated. The second process uses a traditional psychoacoustic method to create harmonics from the overfeed, with a selectable frequency band that is applied to our Presence algorithm. The resultant plugin is not only suitable for vocals, but is also adaptable to almost any instrument, bringing new nuances and richness to your mix.

Loudness Limiter v3.0.0 WiN

BUBBiX | 04 October 2024 | 32 MB

x64:(STANDALONE, VST3, AAX) | x86:(STANDALONE, VST3)

The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.

Repro-1 v1.1.3 WiN MAC LiNUX

R2R/P2P | 12 December 2024 | 169 MB

Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1. Repro-1 is a fierce synth: hard working, raw sounding and immensely playable. At first glance Repro-1 is simple and intuitive, but the clean and classic design hides a deep feature set capable of a wide range of sounds.

MiDi Mutator v1.4.2 WiN MAC

Team R2R | 20 October 2024 | WiN: 6.5MB | MAC: 29.5MB

…: VST2i, VST3i, x86, x64 :…

MIDI Mutator is a collection of tools to modify any aspect of a MIDI sequence: rhythm, timing, accents, chords&voicings, and shape. Drop a MIDI pattern on MIDI Mutator to start transforming it into a new original pattern! Fully replace or slightly modify the rhythm with a single click. Experiment with other chord voicings, or replace the chords. Bass lines, chord patterns work equally well. The new MIDI sequence can be dragged directly to your DAW, or stored with a single click.

CurveEQ v3.15 WiN MAC

Team R2R | 22 October 2024 | WiN: 8.2 MB | MAC: 20.3 MB

CurveEQ is a spline equalizer for professional music and audio production applications. CurveEQ shows you the actual filter response you are designing by means of a spline (a smooth curvy line), so you can actually see what the EQ is doing with the sound. This, in turn, allows you to get the best from your mix and your tracks. CurveEQ perfectly suits the needs of mastering, and in some cases CurveEQ is suitable for use as an in-track equalizer.

ColourCopy v1.0.2 WiN MAC LiNUX

Team R2R| 19 October 2024 | 96.95MB

( CLAP, AUv2, VST2, VST3, AAX*)

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.