Beat Machines TR909 MULTiFORMAT

TEAM MAGNETRiXX | 14 April 2014 | 137 MB

Most TR909 sample packs are unprocessed recordings using variations of the TR909s drum tunings and decays. Others are passively sampled through some kind of analog summing buss, a console, or recorded to analog tape. These are great and cover a lot of bases formusicians. However, the vast majority of records made with real TR909 drums have processing on them, sometimes huge amounts of EQ and compression have been used on the TR909 sounds. The great thing is, even with copious amounts of processing theTR909 doesn’t lose its character, on the contrary processing can seriously enhance a TR909 in all areas, and of course make itdangerously punchy! Processing can also make the TR909 deep, moody, and oozing with vibe!

Sonic Flavours DP5 v1.01 VST WiN

Team BEAT | 05.30.2006 | 365.56 KB

The DP5 integrates all common features found on audio delays in an extremely adjustable way. The DP5’s algorithm and controls allow for the full spectrum of clean, crisp delays with non-distorting modulation to pulsing and groovy feedback delays following musical beat patterns perfectly synced to your VST host. Everything you would possibly want from a delay is there. Great for all sorts of dance music but also great for very subtle sound designing and creating spaciously full and open sounding mixes. And not to forget: great for rock music! It’s a musical tool we are sure you’re going to enjoy!

Sonic Flavours DQ7 v1.0 VST WiN

Team BEAT | 05.19.2006 | 548.89 KB

The idea behind the DQ7 Equalizer is to provide a set of great sounding high-precision digital filters along with a large realistic display and a direct manipulation interface. The result is a multi-functional VST equalizer that can handle anything you would expect an equalizer to do for you. Besides great sound and broad functionality, the DQ7’s interface and graphical display offer intuitive tools to create your own signature workflow. We find it’s simply suitable for every equalizing job!

Sonic Flavours R66 v1.03 VST WiN-BEAT

Team BEAT | 10.04.2005 | 359.53 KB

The R66 is a 32-bit stereo digital reverb built for the VST platform. The R66 is a musical reverb based on a new algorithm – not separate plate, hall and room algorithms, but a completely new concept that excels in warmth and transparency. Even so, on seeing the R66 for the first time you will be pleasantly surprised to discover that it has everything you are already familiar with from other available reverbs.

Starplugs Cyclone-Phaser VST v1.01 WiN-BEAT

Team BEAT | 09.30.2005 | VST | x86 | 2.44 MB

(x64 works with jBridge)

The Starplugs Cyclone-Phaser is a double stage 5.1 phaser. The phasing effect will rotate in your complete surround bus, group or master section. You are able to set different rotation- and phasing-styles for each phaser-stage.

Starplugs Cyclone-Pan VST v1.0 WiN

Team BEAT | 09-30-2005 | VST | 2.36 MB

x86 (x64 works with jBridge)

The Starplugs Cyclone-Pan is designed to auto-rotate a stereo or mono signal in a 5.1 group, bus or master. Your are able to set different rotation types and syncs for your left and right input-channel. Let your loops go round and round and round ……….

Starplugs Vocoder v1.01 VST WiN-BEAT

Team BEAT | VST | 09-30-2005 | 2.45 MB

x86 (x64 works with jBridge)

The Starplugs Vocoder uses 32 of “pds quantumfilter” to create two banks of high quality analysis- and synthesis-filters. It includes special functions like pitch shifting and consonant support, to help deliver voices that are distinct and clear, plus a 16×16 (256) modulation matrix to give you a wide range of modulation possibilities.