• Graphiti v1.0.1 AAX VST2 VST3 x64 WiN-MOCHA
    May 10th, 2025 ⚡
    Categories:

    Graphiti v1.0.1 AAX VST2 VST3 x64 WiN-MOCHA-MaGeSY

    Graphiti v1.0.1 WiN

    MOCHA | 17 December 2024 | 138.7 MB

    Bring new life to your sample library with Graphiti, an analysis-based granular sampler and synthesizer for creating new instruments, textures, and foley. This innovative tool uses analysis and AI to organize sample audio into clusters of grains, creating a sonic space that you can explore intuitively by drawing paths to produce unique mashups of your sound library. Simply drag and drop your samples, select your analysis features, and let Graphiti paint you a picture. Crafted for musicians, sound designers, game developers, and foley artists, Graphiti embodies our commitment to creative audio software offering new ways to create and explore audio. With Graphiti, we invite you to GraphIt! and redefine the potential of your sound library.


    Viewed 47200 By Music Producers & DJ´s.


  • SubCut v1.1.1 AAX VST3 x64 WiN-MOCHA
    April 21st, 2025 ⚡
    Categories:

    SubCut v1.1.1 AAX VST3 x64 WiN-MOCHA-MaGeSY

    SubCut v1.1.1 WiN

    MOCHA | 21 April 2025 | 4.2 MB

    Sub Cut lets you apply precise low cuts under 220Hz. Remove unwanted sub bass or make room when layering bass sounds. AUTO mode analyses audio in real-time and continually adjusts the cut by following the notes of your source material. Isolate problematic frequencies in your mix or in your studio. Click on the waveform to quickly flip between your audio and test tones while adjusting your cut.


    Viewed 7978 By Music Producers & DJ´s.

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  • Borealis v1.0.2 AAX VST3 x64 WiN-MOCHA
    April 21st, 2025 ⚡
    Categories:

    Borealis v1.0.2 AAX VST3 x64 WiN-MOCHA-MaGeSY

    Borealis v1.0.2 WiN

    MOCHA | 21 April 2025 | 38.4 MB

    BOREALIS is a dynamic reverb plugin designed for the studio, stage, and beyond. It transcends conventional reverb plugins by allowing you to create an interplay between your dry input and its wet output, using its envelope follower and unique modulation possibilities. BOREALIS offers an array of 14 unique reverb algorithms, from lush convolution reverbs sampled from epic spaces to shimmering algorithmic reverbs and vintage diffused delays. The plugin’s extensive modulation capabilities, including complex non-linear modulators and a deep envelope follower, enable access to highly responsive and organic results. We have also included a mastering section in BOREALIS that allows you to shape both dry and wet signals, fine-tune your sound and makes it an essential tool to inspire and transform your musical creative process.


    Viewed 5775 By Music Producers & DJ´s.


  • Beatgrader v1.1.4 AAX VST3 x64 WiN-MOCHA
    April 21st, 2025 ⚡
    Categories:

    Beatgrader v1.1.4 AAX VST3 x64 WiN-MOCHA-MaGeSY

    Beatgrader v1.1.4 WiN

    MOCHA | 21 April 2025 | 4.7 MB

    Beatgrader is the quickest route to Lo-Fi.

    Select a resample rate to quickly remove high end detail. Beatgrader’s algorithm models off-line resampling techniques to deliver a unique lo-fi, underwater sound in real-time. Includes a saturation control to add weight. Beatgrader is good for removing the high end to make room for vocals or other elements. It can be applied to beats or works equally well on musical elements. It’s also useful as a sound design tool. Beatgrader’s algorithm models off-line resampling techniques typically used to deliver a unique lo-fi, underwater sound. Beatgrader does this in real-time with low latency and CPU so it can be dropped into any channel. The UI is high definition and resizable. Beatgrader works natively on M1 Macs, Intel Macs and Windows.


    Viewed 4757 By Music Producers & DJ´s.


  • GrandEQ v1.1.0 AAX VST2 VST3 x64 WiN-MOCHA
    April 13th, 2025 ⚡
    Categories:

    GrandEQ v1.1.0 AAX VST2 VST3 x64 WiN-MOCHA-MaGeSY

    GrandEQ v1.1.0 WiN

    MOCHA | 13 April 2025 | 69.5 MB

    GrandEQ represents the state of the art of equalizer algorithms. The goal in digital equalizer design is always to reduce the amount of digital artefacts which are introduced due to the necessarily finite sampling frequency. In its minimum phase setting, GrandEQ manages to do just that to an extent larger than most other EQs, and notably both in the amplitude and in the phase domain, while introducing only a very small amount of latency. The result is a very open and clear sound with, at the same time, excellent CPU efficiency. Its linear phase setting stays completely in the time domain, using an elaborate time-reversal algorithm and 2-fold oversampling to ensure excellent amplitude and (flat) phase response with the lowest possible amount of digital distortion.


    Viewed 8157 By Music Producers & DJ´s.


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