TimewARP 2600 v1.6 WiN MAC

TEAM R2R | 23.10.2016 | WiN 6.46 MB | OSX 19.3 MB

For nearly 4 decades, the ARP 2600 has helped to provide the backbone for electronic, urban, and popular music. Today, musicians and producers aggressively pursue the limited number of remaining ARP 2600 synthesizers for their distinctive warmth and unmatched fidelity. The TimewARP 2600 delivers the same fat sound with twice the flexibility; at a fraction of the price of the original. This is one synth that you can’t afford to be without. A Miracle of Science! By developing their own proprietary and optimized virtual analog oscillators and filters, WOW brings the most accurate digital reproduction of the 2600’s fat analog sound to your desktop. All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing! The ARP 2600 synthesizer helped define the music of an era. Edgar Winter’s “Frankenstein,” The Who’s “Who Are You,” The Tubes, Jean Michel Jarre, Deep Purple, and on and on. Only 3,000 ARP 2600’s were produced between 1970 and 1981, and they’ve been trading hands among collectors for thousands of dollars ever since.

LiveSlice v1.4.7 VSTi WiN

Team: AiR | 05/2008 | 3.26 MB

The best thing that ever happened to your loops.

This beat slicer can do much more than just slice your beats and export the results. You can load up to 64 wave files at a time, slice them up and combine the slices in the multitrack arranger. Each slice is coloured based on the content so you can easily tell them apart – this makes manual rearranging a lot faster, and more inspirational, since you are working with direct representations of the audio and not just abstract midi notes. If you find arranging beats in a piano roll / drum map a bit awkward at times, LiveSlice will definately change the way you make music.

Minnetonka Audio Pack 21.01.2010 WiN

TEAM AiR | 21.01.2010 | 27.2 MB

Minnetonka Audio Software traces its roots to the software engineering services firm, Minnetonka Software, Inc (MSI). Formed in 1986, MSI provided custom software development services to a diverse client base, including medical, imaging, security and audio industries. Through its relationships in the audio industry, MSI delivered audio drivers, plug-ins and editing applications to many OEM customers. In 1989, MSI developed the first professional-level graphical audio editing software for PC platforms, incorporating many innovative features that set the standards in the industry.

Near Plugins v1.0 VST x86 WiN

Team AiR | 01/2011 | 3.6 MB

Liquid Air WAV

FANTASTiC | 21 September 2021 | 206 MB

Liquid Air is meant to inspire and provide countless opportunities to inject some unique organic liquid-based character into your projects. We’ve captured sounds from the ocean, rivers, streams, lakes, rain and more to bring this pack to life. Each sound was processed individually, based upon its original character, movement and the feelings it inspired. From crisp and simple toppers to full-bodied atmospheres and textures, we’ve built a total of 7 categories for you to enjoy, each with its own specific creative roll to play in your music. There are even granular oddities and custom noise samples to help push your sound in new directions. {This sample pack is a collection of 50 professionally designed .wav files}.

Equalizer v1.xx WiN MAC

Teams ArCADE / AiR | Date: 11/2010 | WiN+ MAC: 9.54 MB

The classic EQ, now as a VST and an AU… This equalizer comes packed with features, and more importantly, it sounds AWESOME. High cut and Low cut filters, High and Low Shelf filters, up to 6 bands of Bell filters (all with completely sweep-able filter points and adjustable Q sizes). 2 world class EQ algorithms to choose from (good luck!). 30 band spectrum analyzer ‘on board’, along with an intuitive ‘dual surface’ graphical interface…

DTS Neural UpMix v1.0.4 WiN

Team AiR | 01/2011 | 6.86 MB

DTS Neural Surround UpMix technology was ranked #1 in double blind listening tests, outperforming all other methods in near discreteness, envelopment, and original spatial location. The DTS Neural Surround UpMix transforms any stereo signal into a surround sound experience. Audio that’s encoded and downmixed using the DTS Neural Surround DownMix can be restored with the correct information that delivers a near-discrete 5.1 surround sound experience. Stereo content that has not been encoded can be translated into width and depth information, creating a pleasing and enveloping surround image – often indistinguishable when compared to the original surround sound mix content. Matrix-encoded Lt/RT stereo signals can be upmixed by DTS Neural Surround and provide a high quality surround sound experience to a surround sound image that is more stable than that of traditional matrix decoders. DTS Neural Surround UpMix spectrally separates individual audio elements and places each in its intended location within the surround environment. This results in unparalleled image placement and stability. The audio is placed exactly where it would be heard in a professional Live End Dead End (LEDE) mixing studio listening environment. The UpMix does this while preserving the artistic integrity of the content.