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    Mads Drum Kits Vol.3 AKAi CDDA 2CD

    Team TZ7iSO | 01.22.2004 | 403.31 MB

    CD1 – AKAi / CD2 – CDDA

    MADS DRUM KITS 3 (MDK3) was created for all those which are in the search of not looped sounds and which need to draw their own grooves. MDK3 features an impressive quantity of sounds which you will be able to manipulate as you wich to create your loops. Each type of sounds are distributed in various sub-categories like, Dry, Amb, Rev, etc… which allows people without Effects units to have more realistic sounds.MDK3 package is composed of 2 cds. One of your Sampler format (roland, akai, …) and another one in wav.


    Viewed 5384 By Music Producers & DJ´s.


  • SwitchCraft Samples AKAi Sounds WAV
    February 16th, 2015 ⚡
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    SwitchCraft Samples AKAi Sounds WAV

    P2P | 16.02.2015 | 284.17 MB

    Akai MPCs (originally MIDI Production Center, now Music Production Controller) are a popular series of electronic musical instruments originally designed by Roger Linn and produced by the Japanese company Akai from 1988 onward. Intended to function as a powerful kind of drum machine, the MPCs drew on design ideas from machines such as the Sequential Circuits Inc. Studio 440 and the Linn’s own Linn 9000, combining a powerful MIDI sequencer with the ability to sample one’s own sounds. A major influence to Roger Linn’s design was his love of rubber pads and how they could be pushed, prodded, and banged; this can be seen clearly in his designs especially from the MPC-60 onwards. Linn also had a passion for squares: thus, no round pads on the MPC Series. Later models feature increasingly powerful sampling, storage, interfacing and sound manipulation facilities, which broaden the use of instrument beyond just drum and rhythm tracks. There are never enough samples in a producer´s library,


    Viewed 4070 By Music Producers & DJ´s.


  • Symphonic Field Forever 2CDs AKAi
    December 23rd, 2014 ⚡
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    Symphonic Field Forever 2CDs AKAi

    P2P | 23.12.2014 | 416 MB

    Beautifully Evocative Solo and Small Section Orchestral Instruments. For Use in Pop and Classical Orchestration as well as Acoustic Textures. Features Superbly Recorded, Multi-samples of Celli, Violins, Choir, Silver Flute, Saxophone, Double Reed, Bassoon, Trombone, Tuba, Double Basses, Clarinet & Bass Clarinet, plus Ensembles of these Instruments.


    Viewed 3244 By Music Producers & DJ´s.


  • AKAi Allround Drum Samples Kit Vol.1-4 WAV
    December 20th, 2014 ⚡
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    AKAi Allround Drum Samples Kit Vol.1-4 WAV

    BEATCROWD | 20.12.2014 | 52 MB

    The AKAi allround Drum Samples collection is inspired by the top producers and sound engineers. Inside this pack you can find the hottest Drums Sound from AKAI MPCs and a lot more. Each Volume has over 200 WAV Samples with the best Quality. Feel the Power of AKAI and give your music the epic touch they need.


    Viewed 3174 By Music Producers & DJ´s.


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    EastWest Ultimate Strings Collection AKAi CD

    P2P | 23 February 2011 | 333.10 MB

    Classy, expensive-sounding string ensembles which must have cost a packet to record, even though the players only had to get one note right at a time. Especially strong in the low register. Violin, viola and cello sections were recorded in both the USA and Europe, the latter with more ‘hall’ in the sound and broader tuning (though the booklet’s claim that this makes them more suitable for ‘atonal or minor keys’ makes no musical sense to me). Double basses were captured in the USA.


    Viewed 8597 By Music Producers & DJ´s.


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    EastWest Steve Stevens Guitar

    Samples Collection 1CD AKAi

    P2P | 2004 | 279 MB

    Billy Idol’s guitarist, Steve Stevens was the force behind ‘Idol’s’ wall of sound, the sonic wail of the smash ‘Top Gun’ soundtrack and Michael Jackson’s ‘Dirty Diana’. This collection of guitar samples is a MUST for anyone needing some amazing guitar samples! “.. the power chords kick like no other guitar samples I have ever heard…hard rock, metal, progressive, etc…meticulously recorded and compiled”


    Viewed 6164 By Music Producers & DJ´s.


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