URS Classic Console Compressors Bundle v1.1 MAC

P2P | 30.11.2017 | 84.78 MB

AU VST RTAS TDM MAC OSX INTEL

The URS Classic Console Compressor Bundle is a suite of 3 Classic Console Compressor plug-ins. They feature 48-bit Double Precision Processing and support 192K sampling. While digitally recreating the Classic Console analog Bus Compressor sound, we added modern features and found the compressors to be even more powerful on individual tracks.

URS Classic Console Compressor v1.01 WiN

Team AiR | 08/2006 | 15.26 MB

VST RTAS TDM x86

The URS Classic Console Compressor Bundle is a suite of 4 Classic Console Compressor plug-ins. They feature 48-bit Double Precision Processing and support 192K sampling. While digitally recreating the Classic Console analog Bus Compressor sound, we added modern features and found the compressors to be even more powerful on individual tracks. They are super DSP efficient so they can be used across all of your tracks. They will instantly improve the sound of your mixesin the box

Comp76 v1.1.2 WiN

TEAM V.R | Oct 30 2017 | 227 MB

Comp76 FET Compressor-Limiter

(Win32/64; AAX*, VST3, VST.)

The revolutionary simulation of legendary fet compressor-limiter beyond the hardware.

AO Compressor Bundle WiN MAC

SYNTHiC4TE | Oct 17 2017 | 251 MB

Studio Compressor v0.0.9 WiN

Team R2R | June 03 2017 | 371 MB

PLATFORM : WiN32/64 – EXE/VST/RTAS/AAX

Pro Series Studio Plug-ins, which they describe as a series of extremely high quality audio FET, Tube, and Optical compressors that introduces profiling and component based compression for the first time ever in a plug-in.

Terry Compressors VST2 x86 WiN

HY2ROG3N | 08.05.2017 | 12.9 MB

DC8C v2.3.0 WiN MAC

SYNTHiC4TE | August 01 2014 | 10.7 MB

Advanced Compressor

DC8C is one of the most flexible compressors around.

While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models.  From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.