Zion Train Dub Drums

Team DYNAMiCS | March 2010 | 1.26GB

Future Loops’ brings you “Zion Train Dub Drums “, a fantastic set of live drum loops produced by legendary dub pioneer, Neil Perch from Zion Train. This is a highly professional sampling work that transpires the beauty and history of the music legacy Neil Perch and Zion Train have been indulging us with throughout the years. Zion Train are Dub/Dance pioneers and have been undisputed leaders in the genre for more than 15 years. The band is heavily involved in the alternative/DYU underground culture and has established a loyal legion of fans who follow their work as purveyors of the finest Roots Reggae music since the 90’s. Zion Train is considered one of the finest live dub acts in the world! Come and explore the roots of Dub music in this comprehensive collection of live drum sessions that is both a celebration of the genre and a highly stimulating tool that will load your tracks with positive energy!

Cinematic Guitars KONTAKT

TEAM DYNAMiCS | September 2010 | 5.94 GB

This library is all encompassing, exploring infinite timbres and emotions through its unprecedented collection of over 1000 instruments and multis, starting with bizarre, dark, euphoric, spiritual, electronic sounds and going far beyond. CINEMATIC GUITARS is geared for film, TV, game, and electronic composers.

Fixed Noise Kreate v1.0 KONTAKT

Team DYNAMiCS | April 2009 | 4.02 GB

KREATE, a new sound library completely designed and produced by legendary techno, dance, minimal artist Speedy J aka Jochem Paap. KREATE offers over 4 GB of sounds designed to inspire and awe those in the electronic musicworld, whether it be the fellow DJ/producer, film composer or pop artist looking for a cutting-techno edge. This personal collection of Speedy JÆs sounds includes the dance and minimal electronic rhythms for which he is notorious as well as fluid pads that offer an atmospheric sensibility. The library is composed of drum kits, individual hits/tones, loops, sequencer-based instruments, fx and konstrukt instruments. The library is made up of over 500 instruments mapped out in Native InstrumentÆs Kontakt Player 2, a special version of Native Instruments’ Kontakt 2 which is included with KREATE.

E-Lab Obsession VSTi AU HYBRiD

DELiRiUM | 14 October 2004 | 3.50 GB

3.7 GB RnB & HipHop sound library.

With the blurring of lines between software instruments and CD sample libraries, a new class of instrument seems to have emerged, dedicated not to a particular type of synthesis or sound, but to specific genres of music. One of the best examples of this comes from the Swedish company e-LAB, in the form of Obsession – a VSTi/Audio Units plug-in sample player offering you “smooth and sexy R‘n’B and hip hop sounds with Neptunian beats, hyperactive Timbalandish grooves and smooth, lounging MPC loops”

Drums Overkill HYBRiD

TEAM DYNAMiCS | 23 February 2007 | 2.07 GB

VSTi, DXi, RTAS, AU/WiN/MAC

More than 27000 various DRUM & PERCUSSION sounds: 10000 samples assigned to 1200 drum kits for all musical styles, 5400 original drum machine samples, 3800 bass drums, 4100 snare drums & rim shots, 750 claps & snaps, 480 toms, 1600 hi-hats, 300 cymbals, 670 analogue synth drums & electronic percussion, 340 mixed special effects, 1500 percussion instruments from “around the world”.

Beats Working in Cuba VSTi

Team AI/CoBaLT | 05 August 2005 | DiSK1: 4.46 GB | DiSK2: 4.23 GB

This is the ultimate Cuban percussion virtual instrument. BEATS WORKING 5.1-ready drum sample library recorded at Abbey Road Studios, London) are proud to present the first complete and utterly authentic library of Latin percussion performances recorded entirely in Havana, Cuba, featuring the country’s very finest players, and presented in multitrack format to provide the user with complete flexibility in both tempo and the selection of instruments.

Brett Manning Mastering Mix

Team DYNAMiCS | August 2010 | CD DVDR | 6.38 GB

The Mix is the most elusive part of the voice. It creates a smooth transition between the chest voice (bottom) and the head voice (top) which enables singers to reach their full potential. Ninety percent of singers experience some kind of break-flip or disconnect between these two qualities. Without the mix, the extremes of pulled up “chest voice only” will kill a singer. The extremes of “head voice only” will bore an audience.  Mastering Mix exclusively tackles the conundrum of building the middle, blended or “mixed” areas of the voice. With the mix, you have the power of chest voice and the freedom of head voice – The same commercial tones used by greats like Keith Urban, Hayley Williams of Paramore, Take 6, and many more are unveiled.