DSM v2.8 WiN

Team R2R | 14 Feb 2019 | 34.4 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

FFT based Audio Mapper by legendary console developer

The DSM V2 plugin uses FFT analysis to accurately capture both, the frequency and level characteristics of your audio material. This “captured” FFT data can then be dynamically controlled using standard parameters (like Threshold, Ratio, Attack, Decay and Gain). But unlike typical dynamic processors, these controls directly affect the FFT data, not just the audio. This way, you can capture the characteristics of any audio signal and apply it to any other sound or part! Truly professional results can be achieved quickly for several dynamics processes, including (but not limited to): Loudness Enhancement, Compression, Vocal enhancement, De-Essing, adjusting different songs to each other in mastering, etc.

DDLY Dynamic Delay v1.01b WiN

Team R2R | HAPPY HALLOWEEN | 13.7 MB

 PLATFORM : WiN32/64 – VST/VST3/AAX

DDLY Dynamic Delay responds to your track’s musical dynamics to create versatile and intriguing delays. It’s a one-of-a-kind effects plug-in that delays the signal differently depending on the character of the sound, without turning your track to aural mud. Adjust the threshold to split your signal based on transients, then send it down two separate analog or granular delay paths. Get a cleaner, more complex sound than a traditional full-signal delay plug-in with DDLY!

DDLY Dynamic Delay v1.01 WiN MAC

TEAM R2R | 02 Apr 2016 | WiN: 55.4 MB

TEAM DDP | 4 June 2018 | MAC: 22.52 MB

DDLY Dynamic Delay responds to your track’s musical dynamics to create versatile and intriguing delays. It’s a one-of-a-kind effects plug-in that delays the signal differently depending on the character of the sound, without turning your track to aural mud. Adjust the threshold to split your signal based on transients, then send it down two separate analog or granular delay paths. Get a cleaner, more complex sound than a traditional full-signal delay plug-in with DDLY!

Dynamic Spectrum Mapper WiN MAC

WiN: Team AiR | Feb 2010 | 4.87 MB

MAC: iND | 18 July 2013 | 21.8 MB

WiN: VST/RTAS | MAC: AU/VST/VST3/RTAS/32Bit/64Bit

What is the DSM V2 plugin? The DSM V2 will capture both, the frequency-domain and the dynamic characteristics of even the most complex audio material. This “capture” can then be used in its original form (or even be altered using the Parametric Threshold EQ) to control the dynamics of the audio material and increase the loudness. Thats if you use the DSM V2 plugin as a mastering limiter. In fact it can do much more than this. It can serve as a great de-esser, vocal enhancer and compressor, and it can add some nice magic to your audio. This unique feature uses ground breaking adaptive techniques to capture both the frequency-domain and dynamic characteristics of audio program, and uses this as the basis for a highly developed large scale multiband compression process. This means that it can sympathetically handle programme over a very wide dynamic range without many of the usual compression artefacts, coping even with large-scale percussive events which badly confound conventional compressors.

TRAX v1.0.0 WiN MAC RETAiL

DECiBEL | 14.02.2018 | 20.29 MB

AAX AU VST2 x86 x64

Dyno v1.1 VST x86 WiN RETAiL

TALULA | December 2007 | 0.7 MB

A threshold-driven dynamic envelope editor. A radically new way to gain total control over dynamics: it’s a transient designer, compressor, expander, sound designer, and more. Adjust an intuitive graphical detection circuit to capture transients and waveform peaks, and draw high-order Bezier curves to edit peak dynamics. Use Dyno for anything from adding a little snap to a snare drum or a little sizzle to a cymbal, to morphing a bass line into a crazed rhino pump. All in real time, with amazingly low CPU use. Try it.

G8 Dynamic Gate v1.3.1 WiN

TEAM V.R | Oct 28 2017 | 4.51 MB

AAX VST VST3 x86 x64

G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’.  Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.