“TOQUE DE QUEDA (CURFEW)“

DiGiTZMAN | 30 April 2025 | Hip Hop/Rap

DiGiTZMAN returns with power in his new EP “TOQUE DE QUEDA (CURFEW)“, a two-track release that blends Hip Hop/Rap with hints of R&B, and delivers a bold message: “Everything is forever.” Now available on all major streaming platforms, the EP features: A Diamond is Forever | Everything is Forever. These tracks directly oppose the old saying that “nothing lasts forever”, arguing instead that our actions, our marks, and our truths echo through time. The lyrics cut deep, touching on political, social, and emotional realities with raw honesty. Collaborations with MC DiSTRiÓNiCO and MC LUPOMASTER bring intensity and insight, adding new dimensions to the message. The production keeps it raw and direct, allowing the lyrics and delivery to take center stage. “TOQUE DE QUEDA” is a warning. A statement. A lyrical roar against ideological decay, modern narcissism, corrupt governments, and a society sedated by ego and screens. This isn’t music for everyone. It’s for those who still listen with their soul—not their stats.

Little Snitch v6.2 macOS

P2P | 07 February 2025 | 38.9 MB

The utility allows you to block traffic in different applications. With the help of Little Snitch you can in real time to monitor any outgoing connections and one program may be connected, while others prohibit connectivity, making them into a kind of an internal list of Little Snitch or technically speaking, creating a set of rules on the basis of which the Little Snitch will open or close outbound access to programs installed on your Mac. Utility is a must when you first run unknown programs. It is also often used by amateur warez-blocking software alert when an application wants to transmit information about themselves on a home server.

Prototype EP KONTAKT

P2P | 24.12.2018 | 140 MB

MERRY XMAS!

Electric pianos are just the coolest things: whether it’s the bark of a Wurli or the soulful drive of a suitcase Rhodes, we just love our EPs, and there’s hardly a musical genre out there in which they haven’t played a key part (ha… no pun intended.) But as usual, the ones that come built-in to most DAWs are a little on the polite side. We’ve decided to fix that. Prototype EP Kontakt instrument 2Prototype EP is a painstakingly sampled Weltmeister Claviset. Or at least, it may be. That part’s a little unclear.

Reed EP 140b For KONTAKT

DiSCOVER | November/24Th/2018 | 366 MB

An authentic recreation of this wonderful, vintage keyboard from the 1960s. Reed EP 140b provides ten sustain velocity layers and an additional seven release sample layers. The 140b electric piano, produced in the early to mid-1960s, uses steel reeds to generate its tone. Though the later 200 and 200a models were more common, the 140 series electric pianos can be heard on numerous recordings made in the 1960s.. Each note of the 64 note piano was recorded for full duration, providing an accurate sound with no artificial decay envelopes or sample loops. The instrument uses 44MB of RAM and requires 465MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the tremolo, phaser and reverb effects. Finally, a number of amp simulations are provided.

Reed EP 200a KONTAKT

DiSCOVER | November/24Th/2018 | 215 MB

The 200a is a classic piano in every sense of the word. Sampled at eight velocity levels recorded for the full duration. Production of the 200 series reed-based electric piano began in 1968 and continued through the 1970s. It was the most popular of the reed-based pianos and can be found on many recordings throughout that period and beyond. The 200a series offered improved electronics and noise reduction over the original 200. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the tremolo, phaser and reverb effects. Finally, a number of amp simulations are provided.

Flutter EP KONTAKT

SYNTHiC4TE | Feb 08 2016 | 1.15 GB | UPDATE: 480 MB

Flutter EP is an electric piano like you’ve never heard before.

She is packed to the brim with specially devised samples made from a variety of slutty analogue hardware synths and keyboards. All sample sets morph and loop through various transitions for a mind boggling selection of unique but Wurly-ish, Rhodes-y, organ-esque, DX like electric piano type sounds….but of course there is a twist which makes her very different. Think Radiohead, Jon Hopkins, Nils Frahm, Ólafur Arnalds or maybe Steve Reich in a fist fight with Trent Reznor. The main interface is divided into 12 parts which (if you look hard enough) show the octave of a keyboard starting at C on the left. Each column gives individual parameter control for each corresponding note of the six octave range, whatever you do to the C column affects all of the Cs and nothing else etc.

80s EP Classic Pro KONTAKT

FANTASTiC | September 17 2016 | 2.72 GB

The 80s EPs are virtual versions of 4 iconic 80s EP sounds from the Yamaha DX7 Mark II, each counting two times 1144 24bit/48kHz samples for the Pro versions. 88 keys sampled in 12 velocity layers. There are three more of them: 80s EP Bright, FM and Warm. No software emulation beats the expressiveness and bite of the real thing. I played around two thousand EP presets and customized 32 of my favourites on my TX802/DX7II and then sampled 4 like all the virtual Wurlitzers and Rhodes out there: extremely detailed and programmed to behave exactly like the original. “Classic” is a customized Rhodes preset from the DX1. The DX1 goes for around ten thousand dollar on the second hand market and its factory library is far superior to the DX7.