Foundations of Audio:

EQ and Filters UPDATE TUTORiAL

Team: SYNTHiC4TE | Jan 22 2014 | Size; 3.54 GB

In this installment of the Foundations of Audio series, author Brian Lee White shows producers and audio engineers how to properly apply equalization (EQ) and improve the sound of their mixes. The course covers the use of parametric and graphic EQs—and filters such as the high/low pass filters and shelf filters—in a variety of musical settings. These principles can be applied to any digital audio workstation platform, including Logic and Pro Tools, as well as analog workflows.

Softube Tube-Tech PE 1C EQ MAC OSX

Date: 06.30.2010 | Size: 154,54 MB

VST AU RTAS TDM

Loved and coveted by sound engineers all over the world for its super huge bass and its silky shiny treble, the PE 1C is Tube-Techs clone of the famous Pultec tube-driven passive equalizer. It does things no other equalizer can, and when you start twisting the knobs you will find it’s more versatile than it may appear at first. We think the sound from this equalizer is the reason why some people started spelling “fat” with “ph” when describing a sound. The PE 1C will give you the most thunderous and solid low end on the planet, and in addition to that, a treble that is so silky and sweet you just want to cuddle into it.

DDMF CM EQ Pack x86 x64 WiN

DDMF | CM Version | EQ Pack | x86 x64 | WiN

IIEQ Pro CM is an all-purpose EQ, whereas LP10 is focused more on mastering, offering linear phase and variable phase operation. The plug-ins are based on DDMF’s highly regarded IIEQ Pro and LP10 plugins.