Frequency Modulation with FM8 TUTORiAL

P2P | June 16 2015 | 477 MB

Get going with FM8, the next gen FM synthesizer. In this course, author Evan Sutton dives deep into the app’s features and the techniques necessary for creating FM8’s characteristic clangy and textured sounds and incorporating them into your music productions. He covers working with the routing matrix; developing harmonics, partials, and overtones using waveforms; and creating both realistic and more far-out sounds. The course also touches on percussion programming, as well as FM8’s built-in Arpeggiator and morphing controls.

Frequency Tweakers B Philco Tube Amp For Nebula

Team MAGNETRiXX | 04 March 2014 | 442 MB

An old Philco 6-tube amplifier has been extensively sampled to use as a unique tone-shaping tool in Nebula. Much time and effort went into making sure that the end results were faithful to the hardware, which sounds great, and was sold with several phonograph consoles (model G1708, for example) back in the 50′s. It was sampled in 3 different hardware setups (using Lynx Aurora), for 3 different flavors. For all 3, the unit’s bass and treble knobs were sampled so that Nebula could recreate the behavior of the unit across all possible combinations of the two. The ‘bass’ knob mostly acts as an adjustable high pass, and ‘treble’ as a shelf. Together they can also be used to create ’tilt-like’ eq setups (check the freq response graphs in manual to see what’s possible).

Frequency Tweakers A For Nebula

Team MAGNETRiXX | 04 March 2014 | 233 MB

Two effects. An LP filter and an EQ/freq specific harmonic exciter.

Tube Radio LP is a unique low pass filter with fully adjustable cutoff AND resonance control. Sampled with dynamics! Lower input levels gives a smooth fluffy sound, higher input levels thicken the sound. Trim control provides quick and easy control over what you get. This thing demands a little more from your CPU than the Nebula stuff you’re used to, so the faster your system is, the better. It was sampled with FM transmission with a tube radio tuner picking up the signal. The filter came from a hardware VA synth. The transmitter/radio was driven just right, so that distortion would be triggered at the higher levels, but not so much with lower levels. You get a very sharp, tall resonant peak, and if you use a hot signal it will trigger strong harmonics! This effect was inspired by some very cool modular synth hardware made by an innovative company that uses old tube radio tubes in all of their stuff. There are 5 and 10k versions, and the 10k version is subject to this disclaimer.