Vir2 MOJO: Upright Bass KONTAKT

Team ViP | 26 December 2024 | 17.18 GB

BASS JOINS THE FAMILY

Vir2 Instruments is proud to introduce MOJO: Upright Bass, a premier addition to the MOJO instrument family. We recorded acclaimed jazz bassist Stefan “Pista” Bartus on an exquisite 150-year-old double bass through an analog console to develop the most advanced and lifelike upright bass virtual instrument imaginable. With six dynamic layers, up to eight round-robins, eight articulations, five mic positions, true legato, and an array of superbly designed presets and MIDI grooves, you can take your standup bass performances to new heights. Humanize your sound with speed-dependent articulation switching for note repetitions, beautifully authentic vibrato sustains, simulated vibrato based on real vibrato curves, adjustable string buzz, and an FX suite for full customization.

Distressing Mojo for Nebula 192 khz

P2P | 17 February 2014 | 673 MB

The Mojo series are samplings to give you the tone of the hardware that allows for a hybrid approach . Simply put, with Eqs and compressors you can use your favourite emulation plugin to control the action and curves and just use my presets to add the much needed clarity, 3D quality, dynamics, warmth etc. It is my attempt to allow you to use your favourite plugin but to add the mojo that plugins lack.

Distressing De Skinny Mojo

P2P | 17.02.2014 | 271 MB

When you want fat sounds for your synths or bass you want warmth, girth, harmonics and depth. Hard to get just with plugins ain’t it? Yes saturators can get you halfway there but a combination of a distressing type preset and the UAD Fatso ™ will have you smiling in next no time. You can of course use any brand of plugins you wish.

Shady Mountain Compo Mojo

NanoBeat | 04 January 2015 | 1.35 GB

Emulation of the Shadow Hills Mastering Compressor

Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 63 presets. Library size is 1.49 GB. 10 distortion kernels. This box is the stuff of legend for mastering guys. UAD made a plugin version that some users feel lacks a little bit of the vibe of the real box. Well today you can get a little bit of that magic back by purchasing this library. Get the transformer magic by using it with the UAD plugin . These are subtle but consider sandwiching the plugin between two instances if it is too subtle for you. Here are Bypassed presets, through the engine but not the transformers, then the transformers without GR and finally with some GR.

SUM DCL 200 Compo Mojo 192 khz

TEAM MAGNETRiXX | 12 April 2014 | 403 MB

Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 9 presets. Library size is 220 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. Another gorgeous compressor that can add a velvet like warmth and tightness to anything you need to compress. With clear highs and a clear presentation your tracks will sound classy when you find the sweet spot.

RLand Vocoder Mojo 192 khz

TEAM MAGNETRiXX | 27 March 2014 | 240 MB

This is a mojo set sampling of a vintage RLand Vocoder. This is just the hardware sonic footprint without any effect. Use with a plugin to add a little analog flavour espacially on instruments requiring a bit of mid range help. ( WHAT IS A MOJO SET? A common complaint facing Nebula users is the GUI and the workflow which may require a number of steps that an algorithmic plugin simply avoids. For example, to get more than one band of equalisation in most cases you need multiple instances of the plugin and the bands don’t always interact like the hardware would. But the sound is stellar. You also have a limited level of dynamic levels with eqs in a lot of cases.

670 Mojo 192 Khz for Nebula

Team MAGNETRiXX | 06 February 2014 | 1.23 GB

Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 40 presets. Library size is 1.3 GB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. This is an independent mono sampling of the famous compressor ubiquitous on so many 60s and later albums. 14 transformers and 20 tubes make this a beast of a compressor. It is almost impossible to buy nowadays – unless you have a cool $ 50 000 lying around. Stories abound of old studios literally dumping them in skips when solid state became popular. Many replicas exist but this is a sampling of the real deal. Mostly very subtle samplings of one of the few remaining original and well maintained versions of this piece of audio recording history. Own it now and possess that sound in the box. N.B – I have not sampled this as a compressor but a PRE for it’s sonic signature.