354E v1.0.0 WiN MAC

TEAM V.R/SPTNDC | 2017/2021 | WiN: 12.5 MB | MAC: 78 MB

AAX, AU, VST, VST3, x86, x64

The 354E is a multiband model of the most famous vintage diode bridge compressor, the Neve 2254E, precisely replicating its distinctive behavior and rich sonic character in each of its three bands. But in practical use, the 354E really is two compressors in one: Turn on its Nuke mode to radically shape individual tracks, and turn it off for lighter, more nuanced compression when mastering or for surgical mixing. Both modes yield the same lush coloration and smooth presence that made the 2254E one of the most revered and highly sought after compressors in the world. The 354E is one of the very best plugins you can use to compress drums, electric guitars, and rock vocals. Unlike its single-banded cousin, the 254E, three independent compression bands (Low, Mid and High), powerful Nuke mode, and Niveau and highpass sidechain filters let you dramatically reshape tracks for maximum size, punch and bottom-end weight. And with an adjustable attack time as fast as 2µsec (two millionths of a second), the 354E is one of the fastest compressors available, capable of shaping sounds in extreme ways most other compressors can only dream of.

Drumformer v1.9 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.8 MB | OSX: 18.4 MB

MultiBand Drum & Master Track Dynamics Processing Plug-in

Drumformer is a multiband drum and master track dynamics processing plug-in for professional music and audio production applications. Drumformer was designed to be a comprehensive solution for the broadest range of sound processing tasks, allowing you to easily implement almost any dynamics processing idea you may have. Drumformer can operate in broadband, 2-band and 3-band modes, with each band having compressor-expander and saturation modules. The sound of the compressor can be defined as “gluey with a ping”, because it instantly creates a “tight and glued together” sound while masterfully emphasizing the transients. The saturation module offers you a choice between six saturation modes, each having a smooth sound and differing harmonic content. Drumformer features a precise gate module with a round sound and multifaceted controls that is useful when you are processing a multi-tracked drum kit. The built-in parametric equalizer with its spectrum analyzer will also come in handy. The “Clipper” module which is a part of the plug-in allows you to get artistic master output clipping effects.

Skyline v1.5 WiN MAC

P2P | 13.02.2020 | 78 MB

AU, VST, VST3, x86, x64

Skyline is an easy to use multi-band image editor for mastering.

You can easily enhance or create depth in a track with the quick and easily accessible controls and you don’t have to worry that you push it too hard since whatever you do with Skyline you can’t break the mono-compatibility. Skyline consists of three main controls, Spread, Pan and Width. ‘Spread’ will either enhance the ambiance by using the information in the difference channel and spread it out in the stereo-field, or use the information from the sum-channel and spread that out in the stereo-field. The latter is great if you want to up-mix a mono-file to stereo. ‘Pan’ will pan the audio in the selected band and ‘Width’ will either boost the sum or the difference by 2dB without touching the other channel. Watch the video, preferable with headphones to get an idea of this little gem.

Complete v11.25.10 WiN MAC

WiN (V.R Patch) / MAC | 12 November 2020 | 5.9 GB / 5.2 GB

(Win64; AAX, VST3, VST, VSTi, STANDALONE)

We are pleased to announce a new version of WVS plugins, WVS V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.

LinComp v1.0.6 WiN

Team R2R | 17 May 2020 | 4.4 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

LinComp is a linear phase multiband compressor, a tool that belongs in every mastering chain. Multiband compression allows you to take care of the levels and response times of four frequency bands independently, and the linear phase crossover guarantee that all this happens with no damage done to the audio whatsoever. Independent threshold, attack, release, ratio and gain controls as well as master faders for simultaneous control let you sculpt the dynamics of your tracks in any way imaginable. Select the compression type by switching between hard and soft knee, use LinComp as a brickwall limiter with the built-in clipping function, and do A/B tests to find out the optimal setting.

MuSiCX v1.03 VST x86 WiN

R2R/MaGeSY® | 19.03.2021 | 2.64 MB

MuSiCX (Multiband Sidechain Compressor & Expander) is a dynamic parametric equaliser with five adjacent bands separated by filters of 2nd to 20th order. Each of these bands’ envelope generators are controlled by pre-filtered signals of any track in a project. The routing between the tracks is done via internal host-independent side chains.

HYDRATONE v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

AU, VST, RTAS, x86

HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.